Jack White Shakes up Rock ‘n’ Roll and the Result is a Beautiful Nightmare

In the popular music of today, guitar solos seem to have become an endangered species. That’s because the instrument itself seems to have become an endangered species in this current landscape dominated by hip-hop, dance pop, and electronic-driven work. As expected, Jack White’s latest album, Boarding House Reach, contains plenty of White’s luscious guitar riffs and solos high in the mixes. But this time, they coexist in a rhythmic sea of hip-hop, spoken word, funk, and country. Did Jack White just save rock ‘n’ roll by adapting it, or did his experimentation go a genre too far?

I explore the matter in my first piece for Global Comment: Genre, Gender, and Class Tumble in Jack White’s Sonic Blender.

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About OmnivorousTraveler

Darrin DuFord is a travel writer, mapgazer, and jungle rodent connoisseur. His writing has won numerous awards and has appeared in The San Francisco Chronicle, BBC Travel, Gastronomica, Roads & Kingdoms, Narratively, and Perceptive Travel, among other publications. He is the author of Breakfast for Alligators: Quests, Showdowns and Revelations in the Americas (released in July 2016) and Is There a Hole in the Boat? Tales of Travel in Panama without a Car, silver medalist in the 2007 Lowell Thomas Travel Journalism Awards.
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